“Just Before the War with the Eskimos” appeared in the June 5, 1948 issue of The New Yorker and was reprinted in Salinger’s 1953 collection Nine Stories.
Ginnie Maddox: A young woman of 15. She has been playing tennis with Selena for at least five weeks.
Selena Graff: Another young woman, whose mother has pneumonia. She is also 15 and has a brother named Franklin.
Franklin Graff: Selena’s Brother, Franklin is 24 years old and has not gone to the war due to his being classified 4-F for a bad heart. He has been working in an airplane factory.
Eric: Franklin’s friend. Eric has an effeminate personality and has been living with a writer.
Ginnie Maddox and her classmate Selena have been playing tennis for several weeks. Though Selena always brings fresh cans of tennis balls, she never contributes to the cab fare. Ginnie becomes annoyed and insists that Selena reimburse her the cost of the cab fares she has paid. Selena tries to explain to Ginnie that her mother is ill and she could give her the money in class later, but Ginnie becomes insistent and waits for Selena to go upstairs and retrieve the money from her mother.
While she waits, Ginnie talks with Selena’s brother Franklin whose overall physical demeanor she finds repulsive, and who is 4-F status and has been working in an airplane factory for the past few years. Franklin has cut his finger and is working to heal it while he talks with Ginnie. He offers her a half of a chicken sandwich, then dashes upstairs to finish getting ready. As he goes upstairs, Franklin’s friend Eric arrives. Eric and Franklin hare plans to go see Cocteau’s Beauty and the Beast, which Eric thinks is magnificent; he also admires Ginnie’s camel’s hair coat, and talks at length about his roommate, who is a writer.
(Ed. Note: These observations, are Eric’s effeminate language and gesture signal the potential that Eric [and perhaps by association, Franklin] can be interpreted as gay characters.)
When Selena finally returns with the money, Ginnie tells her to keep it and suggests she might come over later, even though she had previously indicated that she had plans for the evening. On her walk home, she takes the chicken sandwich half out of her pocket, but decides against throwing it aaway, noting how it had once taken her three days to discard a dead Easter chick.
Wenke classifies “Just Before the War with the Eskimos” in the same category as “The Laughing Man” and “De Daumier-Smith’s Blue Period,” as demonstrative of “the alienation of a post-adolescent youth not yet initiated into manhood.” (31) He thus focuses on Franklin as the central character in his analyses, instead of Ginnie. Franklin’s failed attempts at manhood include failing as a suitor for Ginnie’s sister, failing to be able to participate in military service, and failing to resolve instead to go to college. Wenke suggests that it is because of these failures that Franklin has befriended Eric, whose effeminate speech and mannerisms suggest that he is gay, and that Franklin, unable to fit the traditionally masculine role has chosen this relationship in order that he might have some appropriate role between childhood and manhood.
In Ruth Prigozy’s article about Salinger’s Nine Stories, Prigozy claims that “Eskimos” presents us with Ginnie as one of the few characters (along with Boo Boo Teannenbaum and Esme) who rise above the petty banalities of the world and make contact with “another sensitive hungry soul.” (92) Prigozy also notes Salinger’s adeptness with language, particularly on display here, and that, as in “The Laughing Man,” repellent physical details which might normally connote disgust bring the reader to a strange empathy with the characters being described.
In his Reader’s Guide, Alsen notes that the paltry scholarship available on “Eskimos” deals primarily with the psychological and treats the work as a love story. He notes Lundquist’s article as the exception, an article that advocates that there has been a substantial change in Ginnie’s character but notes the absurdity which has consumed Franklin. He makes note of compulsive character types such as Franklin, whose nail-biting is symptomatic of his troubled psychological state.
Bryan says, Franklin moves from a “loathsome misfit” to being a Christ figure, similar to Seymour’s Fat Lady in “Zooey.”