Tag Archives: holden caulfield

Taking a Walk Through J. D. Salinger’s New York by James Barron

Seton Entrance - Edward Keating/The New York Times

Seton Entrance - Edward Keating/The New York Times

MLA Citation:

Barron, James. “Taking a Walk Through J. D. Salinger’s New York.” The New York Times. The New York Times Co., 28 Jan. 2010. Web. 14 Dec. 2010. <http://cityroom.blogs.nytimes.com/2010/01/28/taking-a-walk-through-jd-salingers-new-york/>.

First Paragraph:

Hey, listen. You know those ducks in that lagoon right near Central Park South? That little lake? By any chance, do you happen to know where they go, the ducks, when it gets all frozen over?

There it is: the Holden Caulfield question. Sara Cedar Miller gets it all the time.

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newyork

Brow Beat: From Gotham with Love and Squalor: J. D. Salinger’s New York by Judy Rosen

MLA Citation:

First Paragraph:

“I almost always write about very young people,” J.D. Salinger said in 1946, and today this giant of midcentury fiction is being remembered as a chronicler of his time and, especially, of a time of life. But he was also a poet of place. Nearly all of Salinger’s troubled, brilliant young people—Holden and Phoebe, Seymour and Buddy, Franny and Zooey—are Manhattanites, and their stories are distinctly New York stories, set against a backdrop of bustling avenues and classic sixes on either side of Central Park, and narrated in an ironic, neurotic, contrarian voice whose provenance is unmistakable.

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“Holden in the Museum” by John Seelye

MLA Citation:

Seelye, John. “Holden in the Museum.” Ed. Jack Salzman. New Essays on The Catcher in the Rye. New York: Cambridge UP, 2001. 23-33. Print.

First Paragraph:

Seelye’s essay starts with a quote from the novel:  “I was the only one left in the tomb then.  I sort of liked it, in a way.  It was so nice and peaceful.  Then, all of a sudden, you’d never guess what I saw on the wall.”

“I don’t think I was alone, as a college undergraduate in the early fifties, in regarding Holden Caulfield as a royal pain, an affront to my generation, which was prone to assume supine positions in the name of material well-being.  Most of my classmates were conformists eager to become Organization Men inventing Hidden Persuaders, and the grey flannel suit (with that touch of conformist flair, the tattersall vest) was our uniform of choice.  ours was the cause that James Dean’s Rebel was without, and James’s shadow figure, John Dean, was one of us.  Our greatest fear was not of losing our individuality to corporate America but of losing our lives in Korea.  Like Dan Quayle, we did our patriotic best by joining reverse units, hoping that the winds of war would pass by, leaving our private lives unruffled.  About the time that Jack Kerouac was making his westward journey that would become thinly fictionalized as On the Road, I spent two summers driving from Connecticut to California to take part in a naval reserve training program that would result in an ensign’s commission just in time for the end of hostilities in Korea.  It was not me that Salinger’s Catcher caught.”

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New Essays on The Catcher in the Rye

New Essays on Catcher in the Rye Edited by Jack Salzman

MLA Citation:

Salzman, Jack. New Essays on The Catcher in the Rye. Cambridge: Cambridge UP, 1991. Print.

First Paragraph:

“In 1959, eight years after the publication of The Catcher in the Rye, Arthur Mizener began a Harper’s magazine essay about J. D. Salinger by noting that he was ‘probably the most avidly read author of any serious pretensions of his generation.’  There were good reasons why this should be the case, Mizener commented.  Whatever limitations the work might have had – either of technique or of subject matter – within these limitations it was ‘the most interesting fiction that has come along for some time.’  Although, as we will see, there was little critical agreement about what the limitations of The Catcher in the Rye may have been, there was little disagreement with Mizener’s contention that Salinger was the most avidly read ‘serious’ writer of his generation.  Soon after Nine Stories appeared in April 1953, it made the New York Times best-seller list.  By 1961 sales of Catcher were reported to have reached one and half million copies in the United States alone.” (from The Introduction)

Table of Contents:

Series Editor’s Preface

This book is part of The American Novel Series

Introduction by Jack Salzman

Articles

John Seelye:  Holden in the Museum
Michael Cowan:  Holden’s Museum Pieces:  Narrator and Nominal Audience in The Catcher in the Rye
Christopher Brookeman:  Pencey Preppy:  Cultural Codes in The Catcher in the Rye
Joyce Rowe:  Holden Caulfield and American Protest
Peter Shaw:  Love and Death in The Catcher in the Rye

Notes on Contributors

Selected Bibliography

“Love and Death in ‘The Catcher in the Rye'” by Peter Shaw

MLA Citation:

Shaw, Peter. “Love and Death in The Catcher in the Rye.” Ed. Jack Salzman. New Essays on The Catcher in the Rye. New York: Cambridge UP, 2001. 97-114. Print.

The full article is available here. *Please note we are working to contact the author to make sure that this linkage is acceptable, and it will be removed at the author’s request.

First Paragraph:

“By the time The Catcher in the Rye appeared in 1951, the theme of the sensitive youth beleaguered by society was well established in the American novel.  Reviewing Truman Capote’s Other Voices, Other Rooms in 1948, Diana Trilling complained about the tendency of contemporary novelists to employ a ‘deterministic principle’ in which the youth was repeatedly presented as a ‘passive victim.’  Also well established by 1951 was the link between neurosis, self-destructive behavior, and social maladaptation on the one hand, and artistic sensibility and special insight on the other.  Not surprisingly, Holden Caulfield was regarded as yet another fictional example of the sensitive, outcast character vouchsafed a superior insight by a touch of mental disturbance.”

Next paragraph for clarification purposes:

“Holden’s disturbance was taken to be both his unique, personal gift and the fault of a hypocritical, uncaring society, one particularly indifferent to its more sensitive souls.  Holden’s insight into the adult world’s hypocrisies, moreover, appeared to derive precisely from his being its casualty.  Given the deplorable world in which he lived, if by the end of his adventures Holden seemed ready to effect some kind of accommodation with society, this struck readers as inevitable, if regrettable.

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if you really want to hear about it

If You Really Want to Hear About It: Writers on J.D. Salinger and His Work edited by Catherine Crawford

MLA Citation:

Crawford, Catherine. If You Really Want to Hear About It: Writers on J.D. Salinger and His Work. New York: Thunder’s Mouth, 2006. Print.

Jacket Copy:

“Famously reclusive and yet an undying source of inspiration for generations of readers, Salinger is one of the greatest mysteries of American literature.  This is the first comprehensive collection of writings about J.D. Salinger and his work, an amalgam of over fifty years’ worth of attempted interviews, documented sightings, unauthorized profiles, and stifled cries of devotion, as well as the best of the book reviews.

Includes a never-before-published retrospective by Joyce Maynard, whose 1997 memoir, which documented her year-long affair with J.D. Salinger when she was sixteen years old, caused a rupture in the literary establishment.”

Contents:

Part I:  In Search of Salinger

Shirlie Blaney:  Interview with J.D. Salinger
Ernest Havemann:  The Search for the Mysterious J.D. Salinger
Betty Eppes:  What I Did Last Summer
Lacey Fosburgh:  J.D. Salinger Speaks About His Silence
Michael Clarkson:  Catching the “Catcher in the Rye” J. D. Salinger
Ron Rosenbaum:  The Catcher in the Driveway

Part II:  Critics and Cranks

Eudora Welty:  Threads of Innocence
Arthur Mizener:  The Love Song of J.D. Salinger
Alfred Kazin:  J.D. Salinger:  “Everybody’s Favorite”
John Updike:  Anxious Days for the Glass Family
Mary McCarthy:  J.D. Salinger’s Closed Circiut
Arnold Lubasch:  Salinger Biography is Blocked
Mordecai Richler:  Summer Reading; Rises at Dawn, Writes, Then Retires
Michiko Kakutani:  From Salinger, a New Dash of Mystery
Jonathan Yardley:  J. D. Salinger’s Holden Caulfield, Aging Gracelessly

Part III:  Deconstructing Jerry

Sarah Morrill:  A Brief Biography of J.D. Salinger
Paul Alexander:  Theft, Rumor, and Innuendo:  An excerpt from Salinger:  A Biography
John Dugdale:  Eighty Years of Solitude
Dipti R. Pattanaik:  The Holy Refusal
David Skinner:  The Sentimental Misanthrope:  Why J. D. Salinger Can’t Write
Alex Beam:  J. D. Salinger, Failed Recluse
Lois Menand:  Holden at Fifty

Part IV:  Family, Friends, and Fanatics

Margaret Salinger:  Excerpt from Dream Catcher:  A Memoir
Margaret Salinger:  Daughter of J.D. Salinger, Discusses Her New Book, Dream Catcher
Joyce Maynard:  Excerpt from At Home in the World
Daniel M. Stashower:  On First Looking into Chapman’s Holden
Selections from Letters to J.D. Salinger
Joanna Smith Rakoff:  My Salinger Year
J.B. Miller:  Salinger and Me

In Search of JD Salinger

In Search of J.D. Salinger by Ian Hamilton

MLA Citation:

Hamilton, Ian. In Search of J.D. Salinger: A Biography. New York: Random House, 1988. Print.

Dust Jacket Copy:

“In 1983 biographer Ian Hamilton began work on what he know would prove a formidable task:  an account of the literary life of one of twentieth-century America’s most widely read and most reclusive writers, J.D. Salinger.  What Hamilton didn’t know was that he would end up with not one story to tell but two, that his own life would ultimately become intimately entangled with that of his notoriously difficult subject.

Through The Catcher in the Rye and his timelessly provocative stories, Salinger’s magic has touched, and continues to touch, the lives of millions of readers.  Yet the creator of Holden Caulfield and of the enigmatic Franny and Zooey is himself as much a mystery as even his most elusive characters.  Now, in a brilliant feat of literary detection, the distinguished biographer Ian Hamilton penetrates the mystery, providing the first extended, responsible study of Jerome David Salinger, the writer and the man.

But In Search of J.D. Salinger is not merely the literary biography that Hamilton set out to write-the version that Salinger challenged in court.  Ian Hamilton startling response has been to recast his book, telling the original story in fascinating detail, but also incorporating within it his own sometimes poignant, sometimes comic, sometimes exasperating quest for Salinger-a quest that has left him irrevocably a part of Salinger’s life, and Salinger a part of his.

Illuminating the roads he found into Salinger’s past-as well as describing the self-questioning process, the false starts, the shifts from certainty to doubt that occurred throughout the pursuit of his subject-Ian Hamilton takes us from Salinger’s New York City childhood and his adolescent years at Valley Forge military Academy to Salinger’s surprising military career; from close friendships and early influences to romances and a brief first marriage; from the days of writing for the ‘slicks’ to the first New Yorker successes; form Salinger’s reclusive obscurity to sudden and overwhelming fame-and his curious response to that fame.  Finally, Hamilton recounts the legal confrontations of 1986 and 1987 that brought Salinger once again into the public world-if only briefly-and led Hamilton to retrace his own steps and retell his story, this time with himself as an essential player.

In Search of J.D. Salinger is a remarkable book in which a major biographer, critic, and poet has unearthed surprising quantities of information from sources other than Salinger himself, revealing what has never before been known about one of our most distinguished writers of fiction-and taking us along on his own turbulent journey in the process.”

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letters to jd salinger

Letters to J.D. Salinger edited by Chris Kubica and Will Hochman

MLA Citation:

Kubica, Chris, and Will Hochman. Letters to J.D. Salinger. Madison: University of Wisconsin, 2002. Print.

Book Jacket Copy:

“He published his only novel more than fifty years ago.  He has hardly been seen or heard from since 1965.  Most writers fitting such a description are long forgotten, but if the novel is The Catcher in the Rye and the writer is J.D. Salinger…well, he’s the stuff of legends, the most famously reclusive writer of the twentieth century.  If you could write to him, what would you say?

Salinger continues to maintain his silence, but Holden Caulfield, Fanny and Zooey, and Seymour Glass–the unforgettable characters of his novel and short stories–continue to speak to generations of readers and writers.  Letters to J.D. Salinger includes more than eighty personal letters addressed to Salinger from well-known writers, editors, critics, journalists, and other luminaries, as well as from students, teachers, and readers around the world, some of whom have just discovered Salinger for the first time.  Their voices testify to the lasting impression Salinger’s ideas and emotions have made on so many diverse lives.”

My Foolish Heart Movie Poster

Salinger’s Allusions to “My Foolish Heart” by George Cheatham

MLA Citation:

Cheatham, George, and Edwin Arnaudin. “Salinger’s Allusions to “My Foolish Heart” – The Salinger Movie.” ANQ 20.2 (2007): 39-43. Print.

First Paragraph:

“As Peter Beidler, among others, has noted, ‘Most of Holden Caulfield’s references to book and movies in The Catcher in the Rye turn out to be real, though perhaps obscure ones.’ (44).  One such obscure but real reference-perhaps two, although the reference, or references, might be Salinger’s rather than Holden’s-is to My Foolish Heart, a 1949 feature film based on Salinger’s sotry ‘Uncle Wiggily in Connecticut’ (1948, reprinted in Nine Stories, 1953) and remembered now mostly for its title song, which became a pop standard, and for having ‘killed Salinger movies’ as John Truby phrases it.  The creative team at Metro-Goldwyn-Mayer studios-which included Samuel Goldwyn and Casablanca screenwriters Julius and Philip Epstein-managed to turn Salinger’s brief but bitter indictment of upper-middle-class phoniness into what one reviewer called a ‘four-handkerchief tearjerker of repentance and redemption’ (qtd in Alexander 141).  Salinger, reportedly both humiliated and appaled by what ‘Hollywood had done to ‘Uncle Wiggily,’ subsequently refused, notoriously, to sell the movie rights to Catcher in the Rye.  ‘No, no, no,’ he insisted, ‘I had a bad experience in Hollywood once’ (Alexander 141-142).”

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Reader’s Guide – “A Slight Rebellion Off Madison”

Contributed by Tim Towslee. Thank you Tim!

Publication History:

  • c. 1941, sold to the New Yorker in November 1941 as “Am I Banging My Head Against the Wall?” (Greiner), publication delayed due to U.S. entry into WWII
  • p. 21 December 1946 in The New Yorker as “Slight Rebellion Off Madison”
  • collected in David Remmick’s Wonderful Town: New York Stories from the New Yorker (2000)

Character List:

Holden Caulfield: The central character. His middle name is Morrisey.

George Harrison: An acquaintance of Sally Hayes. He is a student at Andover.

Sally Hayes: A girl Holden likes and is meeting in the city for ice skating.

Carl Luce:: Carl is described as overweight and unattractive. He is a classmate of Holden’s at Pencey Prep.

Summary:

This story is the assumed basis for The Catcher in the Rye, Chapter 17. In it, Holden Caulfield goes ice skating with Sally Hayes. After some small talk with her, Holden reveals his thoughts about his perceived pointlessness of prep school. He tells her he’d like for them to move away, far away, from the city; but Sally dismisses this as a ridiculous notion. Later, Holden and Carl Luce appear at the Wadsworth bar, where they drink scotch and sodas. Holden calls Carl an “intellectual guy” and asks him what he would do if he hated school and wanted to “get the hell out of New York.” Later, when he is alone Holden drunkenly calls Sally twice on a payphone. Then, after chatting with the piano player, Holden waits for a bus on the corner of Madison Avenue with tears in his eyes.

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