J.D. Salinger, “Uncle Wiggily in Connecticut” The New Yorker. March 20, 1948. p 30-36. Print.
Salinger, J.D. “”Uncle Wiggily in Connecticut”” Nine Stories. Boston: Little, Brown, 1953. Print.
Eloise Wengler – the woman of the house where the story is set, mother of Ramona and wife of Lew, former girlfriend of Walt Glass.
Mary Jane – Eloise’s former college roommate, come to have a visit with Eloise.
Ramona Wengler – Eloise and Lew’s daughter, has an imaginary friend named Jimmy Jimereeno who dies during the course of the story.
Lew Wengler – Eloise’s husband – is mentioned but does not appear in the story.
Walt Glass – only referred to a “Walt,” Eloise’s old boyfriend who called drafted during their relationship and died in WWII. Is a member of the Glass family.
Grace – The Wengler’s housekeeper.
The story opens with Mary Jane arriving at Eloise’s house for a quick visit. The women had been roommates in college, though neither of them graduated. Eloise had been caught with a solider in her dorm (maybe that soldier was Walt?) and Mary Jane left college to get married to another soldier who spent two of the three months they were married in jail.
Eloise and Mary Jane start drinking and talking about their college days, and about mutual friends. Mary Jane keeps insisting that she needs to leave, but Eloise keeps the drinks coming and they both sit and drink and smoke for a while. Eloise’s daughter, Ramona, comes in and Mary Jane speaks to her. Ramona has an imaginary friend named Jimmy Jimereeno. Ramona later informs Mary Jane and Eloise that Jimmy is dead, having been hit by a car.
Eloise talks about Walt, her ex-boyfriend, and gets very sentimental. She tells Mary Jane that one time she injured her ankle, and Walk said, “Poor Uncle Wiggily,” talking about her ankle. The conversation moves to Lew, Eloise’s husband, and Mary Jane asks why Eloise never told Lew about Walt, and Eloise waxes philosophical about men and marriage, stating that men never want to know about the men you dated before them. Mary Jane and Eloise discuss how Walt died in the war, and Eloise continues to get even more emotional.
Lew calls and we hear Eloise’s side of the conversation. The weather is bad and Lew is not sure when he’ll be home. Later, Grace asks Eloise if her husband can stay the night, because the weather is so bad. Eloise tells her that he cannot stay, and Grace acquiesces.
Mary Jane passes out on the couch, and Eloise goes upstairs to check on Ramona, who she had sent upstairs after determining she was feverish after Ramona informed the women about Jimmy’s unfortunate accident. Ramona is only sleeping on one side of her bed, and Eloise asks her why, since Jimmy is dead. Ramona tells her that she is making room for her new friend, Mickey Mickeranno. Eloise is cross with Ramona, telling her to get in the center of the bed immediately. Ramona is afraid and shuts her eyes.
Eloise is maudlin, picks up Ramona’s glasses which are sitting on the side table, lenses up and stems down. She holds them to her teary cheek, and repeats “Poor Uncle Wiggily” over and over again. She puts the glasses back down on the nightstand, lenses down, still wet with her tears. She leans over her daughter, who has been crying, and kisses her and staggers out of the room.
Eloise goes downstairs, wakes up Mary Jane, and reminds her of a time that someone at school made a mean comment about a dress Eloise wore. She says that she cried all night about it. She asks Mary Jane, “I was a nice girl…wasn’t I?”
“For Esme – With Love and Squalor” was published in The New Yorker on April 8, 1950. It was later collected in Nine Stories (1953)
Staff Sergeant X (also The Narrator)
Narrator of the story, who has suffered shell shock and is telling us the story of a special child he met right before his unit participated in the D Day landings, as well as the dark period he suffered after battle. The story is split parts, and in one part the narration is first person, in the other it is third person. The third person narration is the point in the story where the narrator is referred to as “Staff Sergeant X.”
The young girl who has a conversation with Sergeant X the day before he goes into battle, and subsequently sends him a letter that reaches him once the battle is over. In the beginning of the story, we are told that Esme is getting married, and that she invited Sergeant X to the ceremony, even though she only met him once.
Esme’s little brother, a source of comic relief in the story and the focus on many critical studies along with the two main characters.
Corporal Z (Clay)
Sergeant X’s roommate after the battle. Some critics say he is the foil to Sergeant X’s character, and others say he represents the “squalor” from the title. He is crass and crude, and very much a caricature of a young, toughened Army grunt.
Esme and Charles’ governess. She has a small role in the story, mainly as a not-very-good governess who allows the children to sit with and talk to Sergeant X.
Staff Sergeant X’s Wife
Sergeant X’s mother-in-law. Mentioned at the beginning of the story.
Salinger: A Biography by Paul Alexander tells us:
“As soon as The New Yorker published ‘For Esme – With Love and Squalor,’ Salinger began to hear from readers. On April 20, he wrote to Lobrano from Westport to tell him that he had already gotten more letters about ‘For Esme’ than he head for any story he had published.”
Hamish Hamilton (a British publisher) wanted to publish a collection of Salinger’s stories. Salinger was reluctant. He ended up publishing Nine Stories (not with Hamilton), but “two months after Little, Brown published Nine Stories, Hamish Hamilton released the book in England. There was, however, one major difference between the American and British versions. Hamilton felt strongly that the generic name Nine Stories would have been the worst possible title to put on the book and he somehow convinced Saligner to let him use as the title for the collection “For Esme – With Love and Squalor,” the story that was perhaps Salinger’s most famous in England if not the United States as well. To the public, Hamilton also finessed the fact that the book was a collection of stories by emphasizing in the advertising copy the idea that For Esme was the next book from the author of The Catcher in the Rye. Hamilton wanted to downplay the truth, since story collections never sell as well as novels.”
Hamilton put the book out in 1953. It did not do well financially, but was well-received critically. Later the same year, Hamilton sold the book to Ace Books – a mass market publisher. They did not usually deal with “real literature.” Hamilton thought it was a good financial decision. Ace published the book with an inappropriate picture of an older, sexy blond girl on the cover. Hamilton didn’t consult Salinger before the sale, and Salinger was truly angry. Salinger never spoke to him again.
The story opens with a first person narrator informing the reader that he received an invitation for an English wedding that will take place April 18th. He expresses a desire to go to the wedding, but tells the reader that his mother-in-law (Mother Grencher) is coming to visit, so he can’t. He says that he has “jotted down a few revealing notes on the bride as I knew her almost six years ago.”
The narrator then tells us that in April of 1944 he was stationed in Devon, England. We learn that he is American, that he was an enlisted man, and that he was part of a “rather specialized pre-Invasion training course.” His unit trained for three weeks, and then they were scheduled to be a part the “D Day Landings.” On this last night before the deployment, the narrator had already packed his bags, so he gets on his outdoor things and walks into town.
Once in town, he stops at a church where schoolchildren are having choir practice. He notices one child in particular, who has a clearer and nicer voice than the other children. She is around thirteen years old, and is a very pretty child. After the song ends, the narrator goes to a tearoom. Soon after, the pretty young girl from choir practice comes into the tearoom with a governess and a little boy.
The girl eventually approaches the narrator, and he asks her to join him. The conversation that takes place is witty and delightful, and the narrator is obviously very impressed by his companion’s intelligence. The girl, named Esme, tells the narrator about her aspirations, her past, her family, and we learn that her father has died in the war.
Esme’s brother Charles comes over and tells the narrator a joke, “What did one wall say to the other wall? Meet you at the corner!” Charles is very amused by his joke and laughs uproariously.
The narrator notices the large wristwatch that Esme is wearing. It belonged to her father. She, having learned that the narrator was a “professional short-story writer” before the war, tells the narrator that she wishes he would write a story for her – and that she prefers “stories about squalor.”
Charles tells his joke again, and the narrator finishes the punch line. Charles gets angry and stomps away, and soon it is time for the children to leave the tea house. Before she goes, Esme asks the narrator if he wants for her to write to him, because she writes “extremely articulate letters.” The narrator gives her his rank and name so she can write to him. She tells him she’ll write to him first so that he doesn’t feel “compromised” in any way. Charles and Esme come back into the tea room because Charles wants to kiss the narrator goodbye. The narrator asks Charles “What did one wall say to the other wall?” and Charles happily replies, “Meet you at the corner!”
The narration shifts and we have the first person narrator telling us that “this is the squalid, or moving, part of the story, and the scene changes.” The narration shifts to a third person narrator and the setting of the story shifts to Gaufurt, Bavaria “several weeks after V-E Day.”
Staff Sergeant X, possibly recovering from a nervous breakdown and suffering shell shock. He is not able to sleep, he is chain-smoking, his gums are bleeding, and he is generally in ill health. His friend Clay, whom he refers to as “Corporal Z” talks to him about his girlfriend Loretta, and tries to get X to come to some parties in town. X declines, and stays in his room alone. He finds a pile of mail that he had not yet opened, and opens a letter that is from Esme.
In the letter Esme apologizes for her delay in writing, and asks him to “reply as soon as possible.” She sends her father’s wristwatch in the package, and at the end of the letter Charles has added “HELLO HELLO HELLO HELLO HELLO HELLO HELLO HELLO HELLO HELLO HELLO LOVE AND KISSES CHARLES.”